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A Multispectral Critical Edition
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The
publication of Livingstone’s
1871 Field Diary: A
Multispectral Critical Edition
reveals for the first time the original
record of a remarkable and traumatic period in the life of David
Livingstone, the celebrated British abolitionist, missionary, and
explorer of Africa. The date of publication coincides almost exactly
with the date Livingstone completed this diary in Central Africa 140
years ago. The original, previously unpublished text of the diary has
remained inaccessible until now, due to the fragility of the paper and
the near-illegible script. The David
Livingstone Spectral Imaging
Project has restored the full text of the diary by using
cutting-edge
spectral imaging and processing technology, and now makes the diary
available through this electronic edition.
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Figures
1 and 2. Livingstone,
The 1871 Field Diary, 297b/157-138
in color (top) and spectral ratio (bottom) versions. A portion of the printed newspaper title The Standard is
visible at left. |
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In 1871, David
Livingstone
spent five months stranded in a small
village in the Congo called Nyangwe. He had run out of writing paper
and had nearly run out of ink, so he improvised the materials for his
diary by writing over an old copy of The
Standard newspaper with ink
made from the seeds of a local berry. On 15 July 1871, while still
in
Nyangwe, Livingstone witnessed a massacre of the local African
population by Arab slave traders from Zanzibar. Some 400 or 500
Africans, the majority of them women, died in a single day – a
scale of murder and death unprecedented in Livingstone’s
experience. |
The massacre horrified
Livingstone, leaving him too shattered to
continue his mission to find the source of the Nile. He traveled 240
miles from Nyangwe – violently ill most of the
way – back to Ujiji, an Arab settlement on the eastern shore of
Lake Tanganyika. Here, Henry Morton Stanley, a reporter sent by the New
York Herald to locate Livingstone (who had been "missing" for several
years and presumed dead) found the Scottish explorer and greeted him
with the iconic words, "Dr. Livingstone, I presume?"
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Figure
3. "Dr. Livingstone, I
Presume?" Illustration from
Stanley 1872,2:opposite 412. |
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The rest is history.
The
meeting, one of the most famous encounters in
the nineteenth century, and Stanley’s published accounts of
Livingstone’s crusade against slavery secured Livingstone a
prominent and enduring place in the public imagination. The meeting
also launched Stanley’s own career, cementing his reputation
as a dauntless explorer and, ultimately, leading him to found the Congo
Free State on behalf of Leopold II, the King of Belgium. |
Yet despite its
significance, Livingstone’s 1871 Field
Diary – which chronicles both the months in
Livingstone’s life leading up to the famous meeting and the
Nyangwe massacre as it unfolds moment by moment before
Livingstone’s eyes – has remained inaccessible to
scholars and the public alike. The newspaper over which Livingstone
wrote has deteriorated, and Livingstone’s improvised red ink
has faded to the point of invisibility. From the time that the diary
was returned to England after Livingstone’s death in Africa
in 1873 to the present, it has not been possible to read and study
Livingstone’s original words.
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Figure
4. The Massacre of the Manyuema
Women at Nyangwe. Illustration from Livingstone 1874,2:opposite 133.
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Today, the David
Livingstone Spectral Imaging Project – a
unique, eighteen-month, transatlantic collaboration between scholars,
scientists and educational and archival institutions – has
completed its work on the diary. The complete original text is now made
available worldwide as a free resource on the internet. The diary, as
those who read it will soon discover, offers an astonishing glimpse
into Livingstone’s conflicted thoughts and actions during the
most crucial period in his life. Instead of the saintly hero of
Victorian mythology, the individual who emerges from the pages of the
diary is passionate, vulnerable, and deeply torn about the violent
events
developing around him. |
Together
with the text of
the diary, the project team is delighted to
make available an exciting and rich array of complementary materials: |
- a Livingstone
spectral image archive that digitally preserves all the
pages of Livingstone’s 1870 and 1871 Field Diaries as
high-resolution spectral images with full metadata, and
so that allows direct access to all the primary Livingstone data on
which this critical edition is based;
- a webpage that
allows comparison between the original 1871 Field Diary,
the highly revised 1872 Journal created by Livingstone, and the further
revised 1874 book posthumously produced by Livingstone’s
friend, Horace Waller;
- critical,
textual,
and historical essays and notes; and
- a detailed
project history and archive that
chronicles the fascinating
journey of Livingstone’s words from the "rediscovery" of the
faded diary in 2009 to its publication today as the first significant
nineteenth-century British literary manuscript to be enhanced with
spectral imaging and processing. The project archive contains over 60
downloadable documents and files produced in the course of the project
that collectively provide an intimate and comprehensive look into the
production of this critical edition.
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The
result – for
the first time – is full access to a
major Scottish national treasure and the addition of an important
primary resource to the study of African history and the history of the
British Empire. |
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Adrian S.
Wisnicki
Project Director
The David Livingstone
Spectral Imaging Project
1 November 2011
Edinburgh, Scotland |
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